While I think there are very serious concerns that advancing technologies, and AI in particular, raise (such as lack of control over these systems with could be a tremendous threat, reduction of agency, and the potential for extreme concentration of power), if we can keep these technologies well under control and pointed at the betterment of humanity (a big if) I don’t think they have to destroy meaning. Here’s why:

While some people do derive a lot of their sense of self-worth from their work (such as myself), and such people could be especially hard hit if they are replaced by technology, there are, thankfully, many things that humans intrinsically value, and therefore, lots of potential sources of meaning. By seeking and then (at least to a reasonable degree) creating what we intrinsically value, we create meaning.

So let’s have a quick look at different human intrinsic values (i.e., things people value for their own sake, not as a means to an end) and how advancing technology, such as AI, may impact each of them:

—

Spirituality and purity: there are no reasons I see that technology would have to interfere with spirituality, religion, or attempts to act purely. So these values could continue being a source of meaning.

Truth and learning: if anything, really effective technology can accelerate the search for truth and our ability to learn. At the same time, technology gone wrong could make the truth harder to discern (e.g., if technology facilitates misinformation outcompeting accurate information).

Achievement: this one could be hard hit by technology insofar as it’s related to doing things that eventually AI may do better than all of us. At the same time, humans find a lot of value in achievements regardless of non-human performance. For instance, people compete in sprints (even though cheetahs could easily outrun us) and find value in achievement in chess (despite AI being able to easily beat the best human). A lot of people also value personal achievement – merely doing the best you can, or improving to do better than your own previous results.

Freedom: while technology could impair freedom (e.g., if it concentrates power into the hands of certain actors, they might choose to limit freedom), there is also potential for technology to expand freedom a lot by allowing us to do many things that weren’t possible before, either because we didn’t know how to do them or because they were too costly before.

Pleasure, non-suffering, longevity: there is no fundamental tension between technology and these values, and technology may be able to improve these by reducing sources of suffering (such as disease), increasing lifespans, and making pleasure more easily accessible.

Happiness (as distinct from pleasure and non-suffering): This is a tricky one, because technology can cut both ways here. For instance, while it’s likely social media has increased some kinds of pleasure, it may well have reduced overall happiness for some people by making them more disconnected or impacting the way they see the world.

Caring, reputation, respect, loyalty, and virtue: these don’t have to be impacted by technology; we could continue valuing these in our relationships with others, even in a world where AI has replaced most work. The main threats I see here from technology are the ways that social media can cause people to spend less face-to-face time together, and the way that AI friends or “relationship” partners could take the place of human relationships.

Justice and fairness: this could go either way. Technology could concentrate power in a way that makes these worse or systematize bias. On the other hand, if the benefits of technology are distributed widely, they could create increased abundance. Technology also has the potential, if harnessed correctly, to reduce (currently commonplace) human bias.

Diversity: globalization tends to reduce diversity, and so technology could accelerate that trend. On the other hand, giving people more freedom through technology could end up increasing forms of diversity (such as how people choose to live their lives).

Protection: technology has the ability to make us safer, so while we may experience more protection (for ourselves and our loved ones), it also could mean that our own role of protecting others is reduced, which could reduce the meaning derived from providing protection. On the other hand, if technology is not developed thoughtfully, the world could feel increasingly chaotic and even become more unsafe, so protection could become even more important.

Nature: technology has a track record of destroying nature, so that trend may continue. However, it’s possible that with sufficiently advanced technology, that trend will go the opposite direction (e.g., cheap green energy makes it easier to protect nature). Technology often destroys nature either as a means to accelerate or as a side effect of acceleration, but sufficiently advanced technology may reduce that effect.

Beauty: technology has the possibility of increasing beauty in the world (making it easier to create and experience beauty), but also runs the risk of filling the world with generic slop.

Overall, while advancing technology may have a negative impact on some things that humans intrinsically value, as long as we don’t destroy the world with these technologies and avoid allowing extreme concentration of power from them, other intrinsic values may not be impacted or even be benefited by technology. As long as we can seek and (to a reasonable degree) create what we intrinsically value, there are sources of meaning available.

This piece was first written on November 16, 2025, and first appeared on my website on December 22, 2025.

More specifically, I suspect that art is created mainly for four reasons:

1) Urge: many artists seem to have a compulsion to create (sometimes, to create oddly specific things). They make art to satisfy this urge. In this category, I would also include art that is mainly motivated by helping the artist achieve the flow state that they are seeking, as well as art that is made to help the artist process their own experiences. For instance, “The Race Track” is a 35-inch painting that Pinkham Ryder spent literal years working on, “building up layers of paint, resin, and varnish…He used unorthodox materials such as candle wax and bitumen. In his urgency, he wouldn’t wait for each layer to dry and was often painting into wet varnish or brushing fast-drying paint into slow-drying paint” (the Washington Post reports). He painted it in response to an experience he had: a friend told him he planned to bet $500 on a horse and then died by suicide when the horse lost. This kind of work is the artist making something for themself, or because they feel like they can’t NOT make it. Sometimes, art created out of compulsion appeals to art lovers, but sometimes, it only appeals to the artist themself. 

2) Beauty: people love Monet for the stunning beauty of his paintings (often landscapes). If there is a deeper meaning beyond “I’ve captured something of great beauty and done so in a beautiful way,” I can’t figure out what that thing is. More often than not, I think that the sort of art that regular people and art lovers (as opposed to art collectors) buy for themselves is simply what they find beautiful or what they find that creates a pleasing vibe.

3) Emotion: lots of art aims less at beauty and more at stirring emotions or provoking interesting thoughts. Examples include the Fountain by Duchamp (a porcelain urinal signed “R. Mutt”) or the Treachery of Images by Magritte (a painting of a pipe with the French phrase, “This is not a pipe” written beneath it). This can be the deepest form of art, but it is often hard to distinguish it from bullshit: the line between deep and bullshit is a thin one. But even if you think works like The Fountain and The Treachery of Images suck, it’s hard to deny that they at least provoke thought (though this cannot necessarily be said for the endless derivatives that now exist that riff on these themes). I would also put political art, as well as art that just aims to amuse, in this category of art that is about generating emotion or producing thoughts in the viewer. Another more specific example of art that appears to be about emotion rather than beauty is Artemisia Gentilesch’s painting Judith Slaying Holofernes (which depicts the assassination of a general by the Israelite heroine Judith). Even if you find the painting heinous, it’s hard not to feel something when you look at it. Note I had originally used Goya’s Saturn Devouring His Son as an example here, but as Gwern pointed out, that was actually an example of painting done out of obsession, not for stirring emotions in others. Much of this kind of art is aimed at producing visceral emotions rather than intellectual thoughts. Art that evokes emotion is sometimes beautiful, but often it is ugly, shocking, or confusing. 

4) Playing Status Games: Art is a way for people to show off that they are in the know about what’s cool, that they have sophisticated and refined taste, and that they have lots of money. For instance, a member of the Saudi royal family purchased a Da Vinci painting (Salvator Mundi) for $450 million. As another example, Bored Ape #4580 (an NFT linked to an image of an ape wearing 3D glasses) sold for $1.9 million. Obviously, these were not purchased due to the great emotion or beauty evoked by these images. People buy these things because they want you to believe something about them (or, in some cases, less cynically but more pathetically because they are trying to convince themselves that they are cool). Collecting artworks is especially well-suited to status signaling because it better enables claims of connoisseurship and sophistication compared to buying, say, a yacht or private jet. Like everyone, artists want to make money, and some will lean into the social signaling aspects of art rather than creating art that they feel the need to create or rather than trying to make something deep or beautiful.

But, considering just these four motivations for making art, how do they work against each other?

Well, since most of the money in art comes from very wealthy people who are trying to signal status (to others, but also, sometimes to themselves), this warps the art market (especially what gets attention). For instance, it appears to have a really negative influence on what is shown in some galleries and museums (showing art that is about what it signals about the owner and viewer rather than art that is about the artist, beauty, or the emotion it creates in the viewer). 

I suspect that most people who go to museums and galleries want a combination of (1) learning about the interesting minds and lives of the artists, (2) seeing things of great beauty, and (3) seeing things that move them or make them think. 

Unfortunately, more often than is ideal, they see a lot of status signaling (sometimes it’s of the form “look how one-of-a-kind this is,” “sometimes it’s “look how expensive this is,” “and sometimes it’s “look how incomprehensible this is; if you were more sophisticated, maybe you’d understand”).

Most artists who toil away at making whatever they feel the urge to create, or whatever they find beautiful, or whatever they think will make people feel and think, are typically not going to make works that are effective at status signaling. So there is a subworld of artists producing works for wealthy people to use to signal status, and this stuff gets way overrepresented in museums, galleries, and the media relative to its value as art (as opposed to its monetary value in terms of what people will pay for it).

If what you want is beauty on your walls, you can simply get an inexpensive print or replica of your favorite works of all time. But people who play the art game would rather spend a lot of money on something unattractive than spend a small amount of money on something far more beautiful. In fact, ugliness makes something BETTER status signaling because lots of people can appreciate something beautiful, but only those most in the know (with the most evolved and sophisticated taste) can appreciate something that is shit. 

Sometimes literally. Piero Manzoni filled 90 tin cans with his own excrement. Christie’s auctioned off tin number 51 for $161,000 (unfortunately, the artist had already passed away, so I don’t think he got to experience his shit being worth more than gold).

So if you suspect that a lot of art that gets famous is bad, you’re honestly probably right, but that’s mainly because a certain kind of bad is good status signaling, and this crowds out attention from work that is more beautiful and more thought-provoking.

Thanks to Hunter Muir, Barry Galef, and Gwern for their comments, which were especially valuable in helping me improve this essay.

This piece was first written on November 11, 2023, and first appeared on this site on December 16, 2023.

Yet, there’s something extremely odd about wisdom: nobody agrees on what it means.

Here are six thought-provoking definitions of wisdom that l find it useful to reflect on:

1) Wisdom as self-consistency: 

Wisdom is an equilibrium where you find alignment between all combinations of your:

• values

• beliefs

• actions

Inspiration: Justin Shovelain and Elliot McKernon

2) Wisdom as causal control: 

Wisdom is the ability and propensity to consider complex sets of circumstances and then, through a deep understanding of causal mechanisms regarding oneself, humans, and the world, choose actions that will (on average) lead to beneficial outcomes.

Inspiration: Vervaeke/Ferraro

3) Wisdom = Knowledge x Goodness

If you know nothing, then you have no wisdom. On the other hand, if you use your knowledge purely to seek harm, you also lack any wisdom.

Wisdom is the combination of what you know and how good the ends are that you use that knowledge to pursue.

4) Wisdom as a virtue: 

Wisdom comes about through the accumulation of character strengths like:

• factual knowledge, self-knowledge, understanding

• first-hand experience, common sense

• compassion, altruism

• impartiality, non-attachment, objectivity, epistemic humility

• courage

5) Wisdom as search: 

Developing wisdom means pursuing the virtues and knowledge of the good, exploring the essential truths about life and the causes and effects of things, and practicing applying these insights to both theoretical and real-life situations.

6) Wisdom as perspective: 

Wisdom involves seeing a situation from multiple viewpoints and weighing the strengths and limitations of each one while incorporating knowledge of psychology, biases, ethics, and the nature of reality to make judgments that reliably produce flourishing.

This piece was first written on August 1, 2023, and first appeared on this site on August 9, 2023.

1. The Wise Critic
Honesty + Courage = telling difficult truths that it’s important for others to hear.

Honesty without courage is still good and valuable, but you’re limited to telling easy truths.

2. The Protector
Compassion + Courage = protecting other people even when it is dangerous and difficult, such as when saving someone from a bully means risking being bullied yourself.

Compassion without courage is great, but it’s limited to certain kinds of help.

3. The True Friend
Loyalty + Courage = being on the side of your loved ones and those you are grateful to, even when it comes at significant personal risk.

Loyalty without courage is still really nice to have, but it limits the extent of that loyalty.

4. The World Changer
Justice + Courage = fighting against the status quo to make the world better and fairer.

Justice without courage is great at small scales, but courage is often needed to create widespread change.

5. The Investigator
Truth-seeking + Courage = uncovering what is true regardless of what you wish were true or what you get rewarded or punished for finding.

Truth-seeking without courage leads to truer beliefs, but only in domains where truth isn’t too inconvenient.

6. The Hero
Goodness + Courage = standing up against immoral behavior, even when that behavior is socially condoned or carried out by the powerful.

Goodness without courage is a wonderful quality, but it doesn’t effectively combat evil.

Courage can make good behavior better and bad behavior worse.
That’s why it’s not a virtue by itself. But a lack of courage limits one’s ability to do good. Don’t seek courage for its own sake. Cultivate it because it enhances your other virtues.

Many people do bad things not because they are bad people but because they lack the courage NOT to. Seek courage because it allows you to do the right thing in difficult situations.

Here is how others have put related ideas about courage:
“…courage is not simply one of the virtues, but the form of every virtue at the testing point, which means, at the point of highest reality. A chastity or honesty, or mercy, which yields to danger will be chaste or honest or merciful only on conditions.”

-C.S. Lewis

“Courage is the most important of the virtues because, without it, no other virtue can be practiced consistently.”

-Maya Angelou

“Courage is reckoned the greatest of all virtues; because, unless a man has that virtue, he has no security for preserving any other.”

-Samuel Johnson

“Who but a man of infinite courage could have dared to think those thoughts? That is the characteristic of great scientists; they have courage. They will go forward under incredible circumstances; they think and continue to think.”

-Richard Hamming

(Hat tip to @CallHimMoorlock and @alexisgallagher on Twitter for pointing me to some of these quotes.)

On a personal note, I’ve become more courageous over the years. I still have plenty of room for improvement, though, and it’s something I’d like to continue to work on.

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This piece was first written on February 13, 2022, and first appeared on this site on February 3, 2023.